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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク František Sláma (musician) ： ウィキペディア英語版 František Sláma (musician) František Sláma (November 19, 1923 – May 5, 2004) was a significant Czech chamber music performer. He was the first Czech cellist who focused on Early music. ==Biography== He was born in Bohemian-Moravian Highlands. Until the age of 18 he worked in the quarry. His meeting with the famous Czech cello pedagogue Karel P. Sádlo proved to be a turning point in his life. Sádlo supported him, introduced him to the cello (1941) and tutored him for the Conservatoire (1942–1948, cello with K. P. Sádlo, chamber music with Václav Talich). Between 1948-52 Sláma completed his studies at the Academy of Performing Arts in Prague. By this time he had already been a member of the Czech Philharmonic Orchestra (1948–1981, since 1962 sub-principal cello and cello section leader). The legendary conductor Václav Talich encouraged Sláma's enthusiasm for chamber music and had, along with K.P.Sádlo and later Milan Munclinger, a lasting influence on Sláma's musical development. During the next 45 years Sláma performed with leading chamber ensembles in Czechoslovakia. In 1946 he was a founding member of Talich's Czech Chamber Orchestra, between 1953-1976 the viol da gambist of Pro Arte Antiqua (one of the oldest European ensembles focused on medieval and Renaissance music) and between 1954-1997 a member of the ensemble Ars Rediviva, whose performances and recordings played an important role in the revival of the Baroque music in Czechoslovakia. With these ensembles he made a large number of recordings (with Supraphon, Panton, Columbia, DGG, Ariola, Nippon, etc.), which received several awards both in Czechoslovakia and abroad (e.g. Grand Prix du Disque). He participated also in first performances of modern compositions (e.g. Ilja Hurník: ''Sonata da camera'', Jan Tausinger: ''Evocations''). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「František Sláma (musician)」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.